南蛮
Posted by Sean at 23:26, May 31st, 2007Rondi has spotted an interesting report on IMDB:
Martin Scorsese has disclosed that he is planning to direct a movie, set in 17th-century Japan, that may have implications related to the war in Iraq.…
“It raises a lot of questions about foreign cultures coming in and imposing their way of thinking on another culture they know nothing about,” Scorsese told the A.P.
I’m used to celebrities being vapid morons, and tackling issues way out of their depth, but I expected better from Scorsese. I mean, I assumed he was anti-war but I figured even he would see the silliness in comparing missionaries in 17th-century Japan with Americans in 21st-century Iraq. Apparently not. The Americans aren’t imposing “their way of thinking.” In fact, the Iraqis have freely elected their own government, an administration with which, I suspect, Washington is not thrilled.
Like Rondi, I must admit that the parallels aren’t entirely obvious to me. The Portuguese didn’t invade Japan, take it over, and see to the installation of a new government. Indeed, when the Tokugawa Shogunate began to see the increasing influence of the Portuguese over its nobles (who liked the access to trade they got from converting to Christianity and being in well with the seafaring foreigners), it confined them to an island off Nagasaki and eventually expelled them entirely.
Of course, missionary work intrinsically involves trying to persuade people to change culturally coded ways of thinking. In Japan Studies departments, the arrival of the Portuguese is treated as the beginning of an archetypal clash between polytheistic, of-this-world Japan and the monotheistic, transcendence-minded West. I can see Scorcese making an interesting movie out of Silence that limns those conflicts, but I doubt it’s going to happen if he’s busy pursuing Political Relevance. (Why on Earth would Martin Scorcese think he needs to make like Oliver Stone, by the way?)
If an anti-war director really wanted to undertake a bold, risky project about Japan that would raise questions about justifications for war and efforts by one culture to impose its thinking on others, he might elect to focus on Japan’s attempts to create an “Asian Co-Prosperity Sphere” in Korea, China, and on down in the decades leading up to World War II. I can’t think of a novel that could be readily adapted for a screenplay, but certainly there’s enough in the historical record for a good writer to come up with high drama and big moral issues.