A case of you
Posted by Sean at 10:22, March 28th, 2010I try not to say nasty things unless I feel I’ve been given no choice, so I can’t claim to be a fan of Ann Coulter’s. Nevertheless, her enemies have a way of proving her points about freedom of speech time and again.
If you haven’t encountered the story yet, Coulter just did a speaking tour of Canada. Mayhem naturally ensued. Rondi has a few posts up that give a good quick summary.
Mark links to a post by Kathy Shaidle on the spooky approbation censorship gets in Canada from (though she doesn’t put it this way) the very people who have the most to lose when speech isn’t free:
Sadly and inexplicably, Fox News chose radical lesbian activist [<--NB: person who has the most to lose when speech isn’t free—SRK] Susan G. Cole to represent Canada on one segment on the Coulter-In-Canada controversy. Here’s how Cole (who, as a playwright, has sucked on the taxpayer teat for most of her career) characterized my country:
We don’t have that same political culture here in (Canada). . . . We don’t have a 1st Amendment, we don’t have a religion of free speech. . . . Students sign off on all kinds of agreements as to how they’ll behave on campus, in order to respect diversity, equity, all of the values that Canadians really care about. Those are the things that drive our political culture. Not freedoms, not rugged individualism, not free speech.
It isn’t that Cole’s characterization is inaccurate. It really is word perfect, actually.
The problem is, that fact should shame and disgust Canadians. Alas, most of my fellow citizens are either in complete, smug agreement with Cole, or just indifferent.
Having reached a Certain Age, I shouldn’t be surprised when gay activists blithely support censorship in the name of “tolerance” or “diversity,” but it still dumbfounds me. Because gays and lesbians aren’t a visible minority unless we speak up for ourselves, freedom of expression is directly in our interest. The current way of rigging the game, of course, is to protect what we say and give a good caning to anyone who “disrespects” us and our delicate-flower sensibilities. But giving the government all kinds of power to intrude on people’s lives, under the assumption that your friends will always be wielding it on your enemies, is an exceedingly dangerous precedent to set. There’s a lot more acceptance of homosexuality than there used to be, and I’m obviously very happy about that; but our liberties are still very new historically, and minorities with few friends don’t always fare so well when there’s a social upheaval. We have no way of knowing when the next climate shift or terrorist attack or asteroid is going to hit.
If we want people to believe that we’re part of society and invested in its future, we can’t be constantly fixated on momentary concerns: someone called someone a fag five minutes ago, someone said the Bible condemns homosexuality in an editorial on the opposite coast yesterday, someone made a joke about sweatpants to a lesbian colleague. I’m not saying none of these things deserve a response, but the proper response is more speech, not a ball gag. I can think of no better way to betray the gay kids who are going to be coming out in fifty or a hundred years from now than to leave them a heritage of petty, snippy, thin-skinned screeching for the censors at every little hint of opposition. Rough-and-tumble debate is the best way to test and sharpen your ideas. When you smugly try to shut it down, the unmistakable implication is that you don’t have nearly as much conviction as you want people to think you have.
The issue with Coulter wasn’t just a gay thing, of course, but the dynamic is the same. Sensible people look at this crap, and her opponents look whiny and emotionally underdeveloped, while she looks fearless and unbowed under pressure. Great PR move.
Added later: More great moments in merchandising: Eric reports on that brouhaha over a movie about transsexuals that some activists were trying to get removed from the Tribeca Film Festival:
According to the festival description, the film has a deliberately campy empowerment theme about transgendered women turning the tables on their attackers (“the violated vixens turn deadly divas”). This, it seems, is intolerable to the prudish pacifist censors (who presumably want transgendered people to be victims):
That summary alone was enough to prompt many angry comments at the tribecafilm.com Web site. One commenter who gave her name as Marie wrote, “This movie trivializes people dying for being who they are. You need to consider whether you want to be remembered for such transphobic trash.” Another commenter named Margaret B wrote, “I can’t imagine a more offensive film to denigrate and demean a minority group. Please remove this film from your line up.”The Gay & Lesbian Alliance Against Defamation has made the same demand of the Tribeca festival. In a statement, the alliance said, “The film, its title and its marketing misrepresent the lives of transgender women and use grotesque, exploitative depictions of violence against transgender women.” The alliance added that Mr. Luna and the festival “have refused to take responsibility for the problematic content and offensive marketing of this film,” and urged its membership to contact the festival and demand that the film be pulled from its schedule.
In an important way, this isn’t an effort at censorship, since it doesn’t involve bringing in the state. But it’s still an attempt to keep challenging ideas out of circulation, rather than trusting the audience to be able to weigh them and make up its own mind. Happily, the committee isn’t caving, according to the NYT:
The Tribeca Film Festival responded in a statement: “The filmmakers provided a copy of this film to GLAAD in February, and for weeks the organization had been supportive to the filmmakers. In fact, GLAAD representatives advised the film’s producer, director and cast on how to describe the film to its core constituency.” The festival added that it “looks forward to the film’s premiere” next month.
I’m not sure what the problem is. Would the people who are flipping out prefer to see a movie about transsexuals who live in the suburbs, serve on the school board unmolested, and convince the good citizens of the community to fund a new crisis center? When someone tries to beat them up, should a cop show up in five seconds and disable the miscreant with his bare hands, just to show that you should wait for the government to defend you and that weapons are bad? Seriously, if you think a different movie should be made about transsexuals, then why don’t you just make it? Or support it with your ticket-buying power when someone else makes it?