It’s probably bad taste to think this way, but I can’t decide whether Huser president Susumu Kojima was extraordinarily unlucky or extraordinarily lucky today.
He was delivering testimony before the Diet, though hardly of his own volition:
In [a further development of the] earthquake resistance falsification scandal, Susumu Kojima, president of Huser Corporation (Chiyoda Ward, Tokyo) gave testimony before the diet during a meeting of the lower house Land, Infrastructure, and Transport Committee on 17 January. Of suspicions that he was essentially aware of the falsifications and applied pressure to keep them from being made public, he repeated his refusal to testify: “It may tend to incriminate me.” [Literally, he said that “there is the possibility of investigation and prosecution,” but I assume that’s the equivalent.–SRK]
Kojima has, it would appear, plenty to clam up about:
An executive of Tokyo-based developer Huser Ltd. repeatedly directed a contracting design firm to let disgraced architect Hidetsugu Aneha calculate the structural integrity of condominiums, citing Aneha’s ability to work out “economical designs,” The Yomiuri Shimbun learned Monday.
The design firm initially planned to use another structural design firm to conduct earthquake-resistance calculations on a condominium in 2002, but the Huser executive protested, saying: “That firm’s designs use excessive materials. Use Aneha because he can do it economically,” sources said.
The action highlights the close relationship between the developer and the 48-year-old former architect.
According to the sources, the design firm made a contract with Huser to design a condominium in Tokyo in 2002. It intended to entrust the condominium’s structural calculations to the structural design firm with which it had business ties.
The Huser executive, however, criticized the structural design firm for designing buildings with excessive materials. He named Aneha, saying, “We should use the architect who knows how to economize.”
Of course, that “Huser executive” didn’t tell the Yomiuri that Kojima gave his blessing to this maneuver.
What’s especially unlucky for Kojima is that it’s 17 January. That is, it’s the eleventh anniversary of the Great Hanshin Earthquake–the one in Kobe–and as always, it’s getting a lot of media play. As I write, NHK is running a special called 活断層列島 (katsudansou rettou: “An Archipelago of Active Fault Lines”), complete with spooky, foreboding music like a wind tunnel in hell. It began with several shots of buildings that had not been expected to collapse in an earthquake. Naturally, they were rubble. The Kobe Earthquake is in living memory for everyone above high school age in Japan. This week more than any other in the year, Japan can be depended on to be keenly aware of how fragile buildings that aren’t built properly to withstand earthquakes can be. Watching Kojima on television, as he’s tearing up and proclaiming that he never meant anything bad for his firm’s customers, one is hard pressed to be moved.
On the other hand, today also brought the news that the death sentence for Tsutomu Miyazaki–surely Japan’s most famous serial killer–had been upheld by the Supreme Court. Considered against Miyazaki’s blood-chilling example of sociopathy, mere insufficient girding of buildings doesn’t seem quite such a horror. If there’s anyone whose face all over the news can make a dirty contractor look unsullied by comparison, he’s it:
Miyazaki’s lawyers had argued that it was “obvious that (the defendant) is suffering from some kind of chronic mental disorder such as schizophrenia.” They cited his use of psychotropic agents at the Tokyo Detention House and his auditory hallucinations that came into light during the high court sessions.
…
According to the lower court rulings, Miyazaki abducted and killed four girls ranging in age from 4 to 7 in Tokyo and Saitama Prefecture from August 1988 to June 1989. He was also held responsible for stripping a 6-year-old girl in Tokyo’s Hachioji.
The cases were described as “theatrical crimes” because Miyazaki sent a letter and parts of the remains of one of his victims to her family.
He also claimed responsibility for the crime to the media using a female pseudonym, Yuko Imada.
He also incinerated one of the victims, and claimed he ate the body parts of one of the girls.
When Miyazaki was arrested in July 1989, investigators found about 6,000 videotapes in his room, many filled with sadistic and grisly scenes.
They also discovered many pornographic comic books dealing with young girls and pedophilia.
When Miyazaki is executed, it will probably be carried out without warning. The practice in Japan is not to give families a few days for final visits, and even in the cases of infamous criminals, the announcement of the execution is only made public on the same day.